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When I happen to meet Trasgo again last week he surprised me in that he had taken up another form of art and was cheerfully chiselling away in his sculpture workshop. Like terraforming, SL sculpting is a different trade which apparently takes time and patience to master. Needless to tell you that Trasgo’s sculptures are well worth looking at and many copies of his works can be found in the gardens and homes of discerning owners.
Trasgo Beaumont at work in his sculptor workshop in Ainee's Hermetic Palaces (121, 154, 25) (at the landing point, head North for about 30 meters to reach his place)Although Trasgo kept on working, putting the finishing strokes to his latest sculpture, he had no objection in answering some questions which had come up to me the other day I met him creating the painting with Yolanda Hirvi:
LL The appearance of your avi is stunning, just what we would expect from a Master of Arts…… Did you create this yourself?
Thank you very much (..and here Trasgo smiles broadly, carefully twisting his moustache pointing upward...) I maintained this appearance since a very long period: after wandering around as a newbie I experimented with skins, eyes and yes, my moustache and eventually created my own appearance which I never changed afterwards. I must point out that I had made this appearance (including moustache) before I decided to become an artist, it was probably my fate that I choose this before I knew what my SL future was going to be. And after all, could I really take another occupation with this look?
LL What painting do you consider as the most successful you have made?
This question is difficult to answer... I have a special affection to my 'Return of Spring' based in the work of Bouguereau, a portrait of Malone Sands, suggested by her and who I am very thankfully for it. For its special nature, I have fond memories of the group works: for example the painting with the Old Versailles Court, The Stairs of the Ambassador. This is my most extensive work made in three parts to enable it to be exhibit at the right resolution with the size that was commissioned of twenty meters wide. But I have made so many other portraits and works that I cannot forget, oh you put me in an awkward position if you make me choose - smile - and…could I ever forget my Dolce Far Niente - one of my RL favourite’s compositions from Godward - which I made for Yolanda Hirvi as you know. Ohh is very difficult! – smiles again -
Trasgo Beaumont sculpted work is on display in the garden section (the large glass room) in the Metaversal Arts main shop Cherish (161, 88, 60)
LL With a RL residence in Spain, you have the opportunity to view and admire many originals of famous paintings and other forms of art, including fascinating buildings. Did this influence indirectly the choice of becoming a Second Life artist?
Nobody escapes to the influence of the place of birth, where one grew up and lives and where you can directly enjoy this marvellous heritage. Churches, buildings and streets in the historical centre (where my house is) of the city where I live, Cádiz, remind you any time to this period.
SL offers us the opportunity to revive the best of these creative periods. My aim was to revive the experience and the look for the beauty of an old master of art.
Many people in SL share this view, this perfect feel of beauty, although through different ways - from customizing avatars, building, terraforming, creating furniture or scripted items and so on..: I like to be a kind of mirror (with an old style glass…) that could reflect all this beauty through my portraits!
LL: what is the basic difference between creating a building and a sculpture in Second Life?
Sculpting in SL has two sides I think - the technique, which depends on the software that you use, generally this is not easy to work with because although even if you know some 3-D software, you must adapt to the SL limits.
Making good sculptures is a real challenge and you never finish learning. Although applicable to any creation in SL, the main point is to keep your prims as less as possible; we know of some really very good sculptors - but you need almost the contents of prims of an entire sim to rezz one of their creations!
On the other side, and no less important, is the creation itself - what you design and expect of it, but before anything you must keep the main rule: make all the parts separately and join these in the right pose or shape ... This is not easy, but the satisfaction when you see that your RL sketch has 3-D form and you can 'touch' it ... is something amazing.
Loggia of the Muses Houlihan (47, 137, 72) is Trasgo’s country seat where most of his sculpture work can be admired
The next entry in this Blog, (a second follow-up), brings us to the world of fashion: Trasgo Beaumont, the Fashionable Dress Designer or Lord Lisle’s new dandy outfit
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